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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Made up voices: Me and Mr C @Ovalhouse

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After watching Gary Kitching’s improvised performance at Oval House Theatre , Me and Mr C, you realise that you probably had the most fun you could invent for an evening. On our night, audience members were chanting “Pigfucker! Pigfucker! Pigfucker!” as part of a lesson in organised heckling, while the remainder of us were rolling around in hysterics at the premise. Kitching has come up with an act that derives its humour from getting the audience to do stuff. Lots of stuff. And amazingly everyone does what they are told.

The smell of the motorcycles, the gasps from the crowd: La Soiree @Southbankcentre @theatreblogs

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In it’s eleventh year of touring and sixth year in London, La Soiree still manages to thrill and excite like it has just burst onto the scene. It’s mix of old favourites and new acts still makes it the show to see over the next few months. Constantly changing, La Soiree keeps you second guessing what will come next. Whether it is Freddy Mercury obsessive in very tight jeans crowd surfing or a gorgeous acrobat dangling from the top smoking a cigar, this is a show that is determined to make sure you have a good time.

It's coming on Christmas previews: Theatrefullstop Presents... The Christmas Wishlist...

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Baubles up in shops, tinsel on sale in the supermarkets and dirty old men looking at little girls through telescopes, are tell tale signs it is coming on Christmas. Theatrefullstop have decided there’s no better way to celebrate than to head down to The Yard Sunday 13 December and treat yourself to a host of theatrical... Treats. Theatrefullstop Presents... The Christmas Wishlist sees eight acts perform a variety of circus, physical theatre, comedy and monologues. This year's acts include: spoken word artist and writer Ese Ighorae who will present an excerpt from her latest play Olu; Lulu, a circus sex tragedy told with knives; and emerging burlesque talent Cici Noir. Further information about all other unique and diverse artists appearing throughout this exciting evening can be found on their site ...

Fags and flares: Anita and Me @stratfordeast

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Anita and Me, currently playing at Theatre Royal Stratford East covers Meera Syal's life growing up in 1970s West Midlands. It was an era of chain smoking, flares and glam rock. But something feels lost in the translation from book to stage production. It feels like it is a series of random encounters with northern stereotypes. Not much happens in this slice of life comedy-drama and the accompanying music often serves to distract from the story making the show less involving than it should be.

Passing through: Rotterdam @Rotterdamplay @Theatre503

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Rotterdam is a unique and hilarious story about gender, sexuality and life abroad by playwright Jon Brittain. It is made even more memorable by the strong and tender performances by the leads. It’s having its world premiere at Theatre503 , which is continuing to nurture original new writing in London. It has to be the first “gay play” or perhaps the first "lesbian transgender comedy" in a long time to explore something that feels like real characters.

Where nobody's dared to go: Xanadu @swkplay

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Xanadu , currently playing at the Southwark Playhouse takes the format of musical based on a movie and sends it up mercilessly, but the high energy levels and sheer enthusiasm from this cast make it more than just a cheap show. Usually musicals based on a movie (or a jukebox) have source material that was loved or respected. Xanadu did not have that. It seemed to be a showcase Olivia Newton-John's limited acting (and dancing) abilities. The occasional cheap effect could not conceal that looked as if it was staged in a supermarket. And shot mostly at eye level meant that none of the dance sequences could really be seen anyway. Over the years it developed a cult following among those who appreciated it for being "so bad it is actually good”. It was also Gene Kelly’s final film so how bad could it really be?

Heads up: previewing La Soireé @lasoireelive

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Returning for a sixth season in London, the little show with a big heart La Soirée is back at the Spiegeltent at the Southbank Centre . The show is currently in previews and I recently caught up with some of the performers during a lunchtime break.

Mrs Lovett’s forefather: Titus Andronicus @arrowsandtraps @newwimbstudio

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Shakespeare’s gory Elizabethan shocker Titus Andronicus is less a tragedy than a blood soaked exercise in revenge. But it is given a slick (and slightly gory) updating by Arrows and Traps in this production currently playing at the New Wimbledon Theatre studio space. Heads in plastic bags, severed hands, twitter-based uprisings  combine in this production that borrows from a range of current trends to tell this tale of horror and revenge. But the cast assembled mostly keep the focus on the story for a brisk two hours, keeping a fine balance between the comic, creepy and sadistic elements at the heart of the story.

Couples gene therapy: Valhalla @theatre503

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The second of the joint of the joint winners of the inaugural Theatre 503 Play writing Award, Valhalla ,   is an intriguing and at times frightening tale on science, mythology and a marriage on the edge. This two-hander starts off seemingly normal. Man, a genetic scientist is researching a cure for an epidemic killing thousands. His wife, Woman, is a GP. They are trying for a baby and she is having trouble conceiving. Chaos and rioting has erupted on the streets arising from the epidemic, so they head to a Nordic research facility so he can continue his work.

Try to say no to this: In The Heights @Intheheightsldn

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It's been over a year since In The Heights stormed London. It is back at the Kings Cross Theatre sounding even better than before. This is a thrilling show directed by Luke Sheppard. It's full of terrific performances, spectacular choreography by Drew McOnie and a pulsating latin, pop and hip-hop-fused musical score by Lin-Manuel Miranda .