Paul in London

As more than one person noted after Thursday evening's downpour, there was not a dry seat in the house at the end of Liza Minnelli's concert at Hampton Court Palace . Opening the Hampton Court Festival , the steady rain or hour long wait for the train home did not deter fans from jumping to their feet even before she sang. Minnelli being from the old school of singing yourself hoarse does not have much of a high register anymore. While she seems like she sometimes tries to coax some sound out using sheer bloody mindedness, her signature songs don't sound like they used to. Of course her fans probably can't hear like they used to either so that might explained the high ovation quotient from the audience... But it is a shame that she either feels she has to sing them or her fans demand them from her. What is more interesting about her voice now is her incredible lower range. And when she calmed things down and performed songs just with her regular music director Billy

Anyone in Piccadilly Circus Saturday afternoon would have found themselves stopping to appreciate the cheek of several hundred cyclists taking part in the annual World Naked Bike Ride . A clothing-optional event, it aims to promote more sustainable means of transport and a generally more body-positive culture. While the numbers seemed down this year (possibly due to the windy weather that made things a little chilly), they made up for being more colourful and noisier than years past. And there was some unexpected laughs as a family in a car somehow managed to get caught amongst the cyclists. The mother shouting abuse at naked cyclists while their children in the back seats with wide-open stares was an amusing diversion. Of course, the event is so large nowadays that it is still possible for some cyclists to get caught amongst the traffic. Being naked in Piccadilly Circus with hoards of people and traffic around you surely must count as the stuff of worst nightmares, although these Bra

Meat is now playing at Theatre 503 in Battersea. It is part melodrama, part comedy and part lesson in slaughterhouse technique set in the industrial heartland of the north of England. The story focusses on Vincent, a man who works in a meat processing factory. He has a run in with the local youth yoof and then things get a little messy. Soon as events spiral out of control it becomes a bit difficult to explain to his wife and daughter just what he has been doing working all that overtime. The abbatoir becomes a metaphor for a lot of the things that are going wrong in his town and in his life. The performances by cast of four are vigorous and intense. Vincent, as played by Graham Turner is a shifty character and he keeps you wondering if the years of experience cutting the carotid artery of animals on an assembly line has given him other ideas about dealing with wild youth on an industrial scale. His wife Tracy Brabin (of the Sainsbury adverts fame) is locked in a power struggle of d

The LondonNewcastle Project Space in Redchurch Street is home to a fabulously frothy and deliciously naughty exhibition of photographer Gerard Rancinan's work called Wonderful World . Rancinan is known for his dynamic and hyper-realistic pieces. Production of one of the pieces on exhibition is depicted in the video clip from French television. It is painstaking and eye-catching work, particularly with half naked models (even if they are wearing cartoon masks and put into positions that echo religious iconography). Wonderful World is the concluding part of his Trilogy of the Moderns. The everyday meets the kinky, pop culture meets street culture and religious icons meet cartoon icons in a series of images that explore the search for happiness (real or drug induced) in a confused and odd sort of world. So naturally it all suits the Shoreditch area well. Beautifully presented with fifteen large images surrounded by props, costumes and other features, it is a lot of fun and tak

I'm missing the Jubilee celebrations in favour of a trip to Italy so I will miss the the crowds as they pass (literally) outside my door. However there are plenty of tips for things to do on the weekend including: A handy guide to wake the neighbours up with the Sex Pistols Nudist street parties (well they did it for her 50th and look likely to do it again in E17) Scenes of a messy nature in Soho with various street parties around the gay bars... Of course if you do make it to the South Bank the entire area is heaving with bars and restaurants including the very sensible National Theatre Propstore that serves local beers and is made up of sets and bits from past productions... A nice spot if you can get served... Or grab a seat...

Ragtime the musical is currently playing at Regent's Park Open Air Theatre . It's an epic musical based on E.L. Doctorow's novel that charts the tale of three families against the backdrop of the change, family, immigration, racism, strikes and unrest at the turn of the last century in America. It's an exhausting and exhilarating history lesson set to the music of ragtime, a genre of music that is predominantly recognisable for its syncopated rhythms. It was popular during the period, but then eclipsed by jazz and largely forgotten until a 1970s revival . Of course it is neither the period nor the music that hits you first when you take your seats. The first shock is that the set which looks like a bomb has gone off. And for a story set in 1906 it all seems very contemporary. There is a poster from Obama's 2008 campaign proclaiming "Dare to Dream" towards the back with a gaping hole in it. In front of the hole is a pile of junk, dust and rubbish as if ha

Sunday night was an opportunity to catch a series of short one act plays - or as @johnnyfoxlondon and I liked to call them in the Audioboo below, snatches - at the Southwark Playhouse called Love Bites . It was one night only which was a shame as it was a lot of fun could do with running over a few Sunday nights for when people are looking for something strange and interesting to do. The concept has been running for a few years and has produced over thirty new one-act plays. But this was my first Love Bites, which also was also a best of collection of the material so far. Some are self-contained stories, some are monologues and some could potentially be other stories. It is a great little concept that is simple and very entertaining. The writing was great and the works presented had something funny to say about the art of love. There were also a few surprises in store in some of the pieces. But best of all is the opportunity to see new work being tried out in a simple yet slick

Doctor in the House has been doing the rounds of major centres this year and is playing at Richmond Theatre this week. Comedian and I'm a Celebrity Get Me Out of Here winner Joe Pasquale plays the lead but he does not quite get the opportunity to let rip as much as you think you think he could or would like to. It's less laugh out loud and more smirk occasionally. Very occasionally. The material has been reworked from its source material and it seems to be missing any sense of bawdiness and adventure that could have made this a bit more fun. Pasquale describes in the above clip that the show will make you come out of the theatre feeling like you had a little hot water bottle down your pants. Well there was a warm feeling in the theatre but it could have been due to the ambient temperatures outside. The cast try their best with the material they have, the set is lovely albeit a bit static since its the same awful med student accommodation in every scene (think Ladykillers of

The London Wonderground on the South Bank is currently playing host to Cantina, an Australian circus production that is unique in its blend of theatre and physical performance with a lashings of pain. Actually, a lot of pain. Broken glass, high heels, broken limbs feature so prominently it could be billed as the Cirque De Sade if that wasn't already the name for a fetish night in Canada . The production manages to take the circus act and make it new by becoming sexy, violent and painful. Is it real or is it escapism? It is hard to tell but it is awfully enjoyable and classy night out full of laughs and some genuine surprises that will have audiences gasping.

Burlington Gardens is the home for an intriguing and beautiful exhibition by Hermès called Leather Forever . It celebrates the art of making products with leather along with showcasing some of the beautiful products made by the company over its 175 years. There is the opportunity to feel and smell different leathers and watch the craftmanship in action working with the material. With a mix of lighting effects and different set pieces to compliment their range of products, it is at times an interactive experience and there is even a moment when you can be caught in a leather curtain. A lovely diversion that will have you wanting to head to the gift shop... If you know there is one just around the corner ... The Leather Forever exhibition is open from 10am to 6pm daily and admission is free. It runs through to 27 May.

The Royal Opera's updated production of Verdi's Falstaff received mixed reviews from the audience on Tuesday night. Most people loved the performances, but when it was time for the production team to head onstage, there were some very audible boos (not to be confused with Audioboos ). The gentleman next to me booed. He had had been tut tutting throughout most of the opera (particularly as the curtain went up revealing a dazzlingly bright 1950s kitchen in the second act), so it probably was not a surprise, but he did it with such gusto the sound reverberated around. It is great that so many people are so passionate about Falstaff. It's a wonderful opera about a man who gets his comeuppance. While the production does update the setting from Elizabethan England to 1950s England, for the most part this change does not get in the way of the proceedings. The final scene in the second act in that kitchen was a little clunky and mistimed so much that it was obvious to most of

Babel , billed as one of the theatrical events of 2012 (in a year that no doubt will be full of these) is currently playing at Caledonian Park in North London. It's part street theatre, part performance art, part art and craft, part singing and part muddy field. It's a lot of parts but it is a pretty ambitious piece that brings together a story of a city like London where people are from all corners of the world and representing a variety of cultures and backgrounds...

Love, Love, Love by Mike Bartlett is now playing at the Royal Court . It's an epic drama about Kenneth and Sandra who meet in the sixties and start a fiery relationship. They have two children, divorce and then retire. But all is not well and it is the harsh economic realities that become the focus of the play. It has some sort of impact as people were filing out of the theatre Saturday night muttering amongst themselves, "Oh well, we will have to buy our children a house" or "I'm never going to be able to afford to buy on my salary". A play that tackles the theme of the baby boomer generation as the locust generation is an interesting premise. But at three hours you will leave the theatre wondering if they could have made it shorter and called it Love, Love. As one particularly loud American couple noted in the foyer after the first act, it was fifty minutes that could have been told in five. The characters and more caricatures and there are no real s

Funny Peculiar playing this week at Richmond Theatre is probably the most perplexing production to be seen on a stage since Too Close To the Sun (it was a short-lived musical about Ernest Hemingway's suicide). The plot revolves around a small time grocer with a wife and a baby who is desperate for sex.  Mike Stott's  play was probably daring for putting fellatio on stage in 1973 and the shock of the original production was no doubt a distraction. Fast forward forty years and it really looks like a series of stock comedy scenarios straining for laughs. It lacks timing or purpose, and with its one dimensional characters comes across as just a little bit creepy. It's not unwatchable but perplexing to think why it is on stage at all. The cast are gorgeous though and as the show plods along you feel real pity for the material they have to work with. And at times you fear they are going to injure themselves trying to get some laughs. Even Craig Gazey's flaccid penis i

Soul Sister at Hackney Empire is a musical based on the life of Tina Turner . It's an opportunity to set the rhythm and blues music from Ike and Tina Turner to her lifestory with some incredible results. Most of this is due to the incredible powerhouse performances by Emi Wokoma as Tina and Chris Tummings as Ike. Wokoma doesn't pretend she is Tina Turner but is a star turn all the same. It's energetic, musical and thrilling. By the end of the show with the obligatory musical medley the audience was on its feet dancing. It is a pity that the creative team decided to musicalise a story that features domestic violence so prominently. Either from shock or bewhilderment the audience were either laughing at every punch or cat calling. It was enough to make you feel like you were in the audience for the taping of a Jerry Springer show. Here's hoping as the show evolves there is a better solution to telling the Ike and Tina story on stage... And perhaps finding a punchier

The young and rather attractive cast of The Goat's Theatre Company have produced an excellent production of Ibsen's A Doll's House that's playing at The Cockpit Theatre in Marylebone this week. The tale of lies, deceit, a woman's place in society (and macaroons) feels fresh and alive in this no-nonsense production. Caroline Hobbs playing the role of Nora (she shares the role with Victoria Jane Appleton who is in the above clip) brought out the right balance between fragility and her awakening and is a delight to watch. The production focuses on great performances and all of the cast are great. The staging also makes the most of the generous space of the Cockpit theatre as well. I could have done without some of the sound effects (was it children offstage or Gizmo from Gremlins ?) but this is a show not to miss. It finishes today. If you are near the Church St Antique market today head over to Gateforth Street. Performances are at 4pm and 7.30pm.

Hampstead's Fenton House is currently exhibiting a collection of drawings by London artist Venetia Norris . Norris has taken inspiration from the civilised and beautiful walled gardens of Fenton house and created a series of intricate and detailed drawings of plants and floral arrangements. An individual or pair of plants are captured in extraordinary detail and shading. And the images are a mix of pencil or ink interrupted by occasional lines of gold or silver-leaf (as illustrated opposite). A reflective evening at Fenton House. It runs until 1 July 2012. Be sure to explore the other rooms of this 17th century merchants house (and the the views of London from the roof) to see the impressive collection of early keyboard instruments and porcelain. Also to coincide with Open Squares Weekend and Fenton’s Summer Tea Party, Norris will be holding a number of 30-45-minute drawing workshops on 4th and 9th June 2012 (these will be held at 11.30am, 12.30pm, 2.30pm and 3.30pm on both day

Esther O'Toole's gripping play The Crossing is in London this week at Battersea's Theatre 503 . It tells the story of three Ghanaian men in the last months of their journey through North Africa to Europe and what they see as a better life. It's based on various first hand accounts and given recent stories of the failure of NATO ships to assist refugees off the coast of Libya and border spats between France and Italy , it feels like it has been ripped from the headlines. The play works so well in bringing out the stories and motivations of these three men who risk everything and pay smugglers to get them to the Italian Island of Lampedusa in the Mediterranean. The performances by Michael Offei, Michael Kofi and Kwaku Boateng draw you in to a world of desperation, hope and humour. The chemistry between them also gives the story a real warmth. By the end you feel like you understand where they are coming from. The production is also slick with some clever projectio

Heaven nightclub is an unlikely place for an opera at first. But Sunday night it was packed with people keen to take in a new twist to Mozart's Don Giovanni . The sexuality and genders of key roles are reversed with some surprising (and funny) results. Heading the cast as the cad Don is Baritone Duncan Rock who has a voice to match his body... It's big. He has appeared at Glyndebourne, British Youth Opera, Opera Holland Park so he isn't just there to be pretty but he is central to making this show work so well. With a book is by David Collier and lyrics by Ranjit Bolt this update has Don living as a yuppie in 1980s London where the sex, coke and boys are all one thing... Easy. There is also some inspired costumes including a very tight set of gold lame pants worn by one of the men. It's funny and amusing without too much dwelling on the gay gore for straight members or those curious about opera. There is also a lovely interpretation of hell and damnation for thi

There are people out there that would watch a talented actress read a phonebook. Gross Und Klein is a new translation of Botho Strauss's 1978 play at the Barbican comes close to this experience. Direct from Sydney Theatre Company and headlined by Cate Blanchett it is the unravelling of a woman's life after her husband leaves her. The play starts off well with Blanchett's character overhearing conversations from a hotel window in Morocco. It's a wonderful monologue that brings out many of the themes of the play. But unfortunately it doesn't go anywhere. Is it in her mind? Did her husband leaving her unravel her life? Is she alone? Is she depressed? We don't really know. What follows for the next three hours is a series of scenes about isolation, loneliness, detachment and mental breakdown. Some of them are pretty, some of them creepy. But none offer much insight or are weirdly imaginative enough to sustain interest in this epic. Blanchett runs the gamut of faci

The process of dying in a Swiss assisted suicide clinic is detailed, efficient and bureaucratic as told in An Instinct For Kindness , currently showing at the Trafalgar Studios. Chris Larner's monologue based on his real-life observations and experiences in dealing with his former wife illness and eventual death is a sad tale but also has enough observations and surprises to keep you engaged. At 70 minutes long it is not a long journey. And Larner's ability to keep things funny and give a fresh take on pain, processes and the emotion of it makes for an enjoyable and contemplative night out at the theatre. This production was first at the Edinburgh Fringe and so it is good to see that it is now touring. It runs at Trafalgar Studios until the end of April. There are post show discussions as well if you like that sort of thing. @Johnnyfoxlondon and I decided to pass on the Rabbi who was speaking after the show on the night we went in favour of a boo... listen to ‘Assi

Thanks to the nimble efforts of @FerozeIyer , I found myself with a ticket to Abigail's Party , the latest sell-out show at the Menier Chocolate Factory . We went for the full Abigail experience which included '70s themed dining while being entertained by people queueing for returns in desperation to get a ticket. While the amusing menu served as a reminder why heart disease features prominently in this piece, I suspect the joke was on us for eating it. It is a wonderful production of Mike Leigh's play with and excellent cast. The star of the show is really the authentic recreation of suburbia 1970s, which for both Feroze and I brought back happy memories of our childhood - complete with leather look lounges. The cast which includes Jill Halfpenny as party host extraordinaire Beverly and Joe Absolom as Tony. The story is fairly straight forward. They drink, they smoke, they drink, they argue. They drink some more, smoke some more and argue more. What its all about

In October it will be fifty years since The Beatles released their first single ‘Love Me Do’. While scary to think that anyone now who remembers the sixties is ready for retirement (or near death), London’s Prince of Wales Theatre will welcome Let It Be , a new West End production featuring many of The Beatles’ greatest hits from September 2012. The show is a theatrical concert and the first West End show with full rights to the Beatles' catalogue. The Prince of Wales theatre is also the site of the fab four's legendary Royal Variety performance, featured in the above clip. Tickets are on sale now. Mamma Mia, currently playing at the Prince of Wales theatre, moves to the Novello early September.

Spring came out in the past week... And on the weekend it seemed appropriate to head the parks with the rest of London... Playing frisbee semi-naked looked like fun...

The Sunshine Boys opens at the Savoy Theatre towards the end of the April and a new picture of Richard Griffiths and Danny DeVito is out of the duo... Neil Simon's classic play is about Al Lewis (Griffiths) and Willy Clark (DeVito), a vaudevillian team who grew to hate each other. They are reunited for a television special which is a cue for grumpy old men-type shenanigans. Griffiths and DeVito certainly look the part, albeit with possibly better dental hygiene than real vaudeville stars... It starts previews from April 27...

This weekend at the Store Street Gallery in Bloomsbury is the second exhibition of contemporary printmaking, promoting it as an art form. It includes a variety of prints by artists Lisa Denyer, Alexander Gough, Damien Hirst, David Hockney, Max Lowry, Dénes Maróti, Will Martyr, Andy Warhol and Giulia Zaniol . Venetian artist Zaniol's prints (pictured right) uses a two-plate technique that means no print is exactly the same and the results are quite varied and interesting. The exhibition concludes Sunday, but be sure to linger around Store Street to sample the other exhibitions and independent stores in the neighbourhood. An oasis in Bloomsbury and a civilised short walk up from Covent Garden or the British Museum...  

I caught a charity fundraiser for The Sound of Mumbai this week. It is currently available to watch online on More4 within the United Kingdom and tells the story of a slum school choir performing the songs from  The Sound of Music in a major concert hall with a full orchestra. At the heart of the documentary is the optimism of the young singers who have so many hopes and dreams riding on the one performance. The success of the documentary has led to the start of Songbound which is a music outreach initiative that uses singing to reach out to India's most impoverished children through collaborative projects with schools, choirs and professional musicians. Donations can be made through the website. Boo impressions follow... listen to ‘The sound of Mumboo’ on Audioboo

Stephen Sondheim's Grand Guignol musical-opera Sweeney Todd is back in the West End. This time it is with the versatile (and somewhat unrecognisable) Michael Ball in the title role and Imelda Staunton as Mrs Lovett, his partner in crime. The tale has been told in many forms, and the last time it was on the West End was in John Doyle's wonderfully claustrophobic production where the cast doubled as the orchestra. This time around, this Chichester Festival transfer provides a slightly more traditional staging of the production with a grand set and elaborate set pieces. Of course, it is still probably Victorian London as the story does not make sense in any other period, but you could be forgiven with the odd car, costuming and set decoration that it could also be the 1930s...

In Basildon by David Eldridge at The Royal Court is a brilliantly funny play about a dysfunctional family and an inheritance. Len is on his deathbed and the family gather to say goodbye. His two sisters Maureen and Doreen have not spoken in nearly twenty years. Doreen's son Barry is hoping to get the house as his inheritance so he can start a family. The scene is set for greed, grudges and entitlement against the backdrop of the city of Basildon , a rather bleak looking town created in post war England to house the growing population from London (and featured in the above promotional video).

The King's Speech was originally intended to be a play rather than a film, and it you now have the opportunity in London to see it that way. It is a smart looking production with an excellent cast that keep things in focus. The performances by Charles Edwards as the King and Jonathan Hyde as Lionel Logue are central to this and you are on the edge of your seat whenever they are on stage. Despite projections and visuals which make the piece still feel a bit cinematic, it is the dialogue and the banter between the two men that are key. On one level, the play elaborates and enhances some aspects of the story going beyond what the film covers. But on another level it is also labours them. The film seemed sharper and more credible. It is a pity that perhaps the stage version didn't re-imagine the story as a three-hander between George VI, Elizabeth and Lionel Logue. The focus of the stories blurs with the cast of supporting (and possibly) superfluous characters.Winston Churchill, t

As part of its Open Stage programme this year, the Theatre Royal Stratford East is holding a series of readings of new plays this week, curated by Rikki Beadle-Blair . I caught The Miriam Gospel by Ben Fensome on Tuesday which is a surreal roller coaster ride into this history of homosexuality. Thanks to the internet, you don't need to read a review but can watch the performance below. If you're pressed for time, I would recommend skipping to the monologue by a leopard slug, which comes in at 1 hour 50 seconds. It describes in graphic slimy detail slug sex and is disgusting and not for the squeamish. And I loved it. This is a series to watch for potential future playwrights and performers. Readings run until Saturday for now but more are to come later this year... It is worth a look and make sure you stay for the post show discussions as they are wonderfully entertaining and insightful about how the actors and writers grappled with the material and got it into shape... T

The Ladykillers , which is playing at the Gielgud Theatre is a surprise treat. Even if you are not familiar with the Ealing comedy with Alec Guinness , the tale of a sweet old lady who is up against a gang of crooks who are using her room to hide out following a heist near Kings Cross is a lot of fun and everything a civilised night out at the West End should be... Murder, heists, little old ladies, car chases and moulting parrots... How some of the material translates to the stage is often a joy to behold. Actually it is all so enjoyable that you wonder if they took the pace a bit quicker, choreographed the action a bit snappier and occasionally broke the fourth wall it might even be funnier. Still, everyone is so likable and the performances are wonderful. Particularly by Marcia Warren as Mrs Wilberforce, who creates a wonderful character that is equal parts daft and clever.  And of course the production looks great. People have raved about the set and it is a sight to behol

All New People, written and starring Zach Braff is a play that takes place over 90 or so minutes in the dead of winter at a beach house on Long Beach Island New Jersey. Zach's character Charlie is staying at his friends beach house for a few days as he is having a bit of crisis at this point in his life. He is about to end it all, when a real estate agent walks in... Then follows a fireman, and then a high-class hooker his best friend arranged to cheer him up with. The stage is set for a bizarre and off-beat set of stories and revelations from this collection of four unlikely people. There is a detailed discussion about scabies and debates about the merits of various intoxicating substances. Projections help with the back stories of the characters, but it works best when it is just some off-beat random discussions about matters of trivial importance. Or are they? Whatever the case, the action moves briskly and the laughs are fairly constant.

The Shallow End currently playing at the Southwark Playhouse is an opportunity to revisit this satire on British media with recent events of phone hacking, arrests, resignations and enquiries in mind. The play is set at the wedding of a media mogul's daughter, who has just brought a broadsheet newspaper and it about to take it downmarket. During the celebrations the axe is about to be weilded on the old guard as debates about about the future of a newspaper in the digital age.

Excellent Choice - a two-man show by Rob Hayes - is a brief and (ahem) palatable choice to start the evening. Part of the final week of the Vault Festival at the Old Vic Tunnels at Waterloo Station, it is a funny and dark half hour show that goes down very well. The theatre space being slightly damp and a former office within the National Rail archive only adds to its mildly creepy premise. This short play is about a young man who visits a rather unusual rare wine shop and has some very specific requirements. What seems to be an ordinary transaction quickly becomes something different. The punchline is hilarious (although possibly offensive). To speak more about it would be to give too much away. What holds it all together is two brilliant performances by Benjamin Dilloway as the customer (above left) and Jeff Rawle as the shopkeeper (above right). Apart from giving the production a bit of class, they play their roles in all seriousness and ignore the fact the other half of the roo

A passion for life (and music) is certainly a message loud and clear from this revival of Master Class , Terrence McNally's play about the original opera super star Maria Callas who is running a master class for aspiring opera singers. Inspired by the classes she ran at the Juilliard School in New York in the early 1970s, she alternates between being repulsed and intrigued by her students and then caught up in how their performances evoke memories of her past glories. The play is an opportunity to see Tyne Daly on stage and she delivers a commanding performance as the no-nonsense diva. Dominating, witty with impeccable timing and occasionally vulnerable, her performance is something to be savoured. And it distracts you from being too bothered by some of the other quirks of the material such as occasional overlong scene and superflous characters. Naturally anything about Callas is going to bring out her groupies en masse (including a variety of homosexual types), but you don'

It is easy to appreciate the music of Berlioz, Ravel, Stravinsky and English Born composer Thomas Adès when it is the New York Philharmonic performing. Part of their residency series at the Barbican , Friday night was an opportunity to be wowed by some impressive musicianship and a passion for music. You know you're in for something a little bit different when you notice that after taking your seats you're surrounded by various members of the brass section. This was for Adès piece Polaris which had its European Premiere and was a joint commission with the Barbican and New York Philharmonic. It was an intriguing and hypnotic piece, although depending on your proximity to the off stage brass may have swayed your views on it (as no doubt you would not have heard much else). The above video shot for its premiere in New York gives some context to it The rest of the programme featured Joyce DiDonato in Berlioz’s song cycle Les nuits d’été which gave a delicate and light touch to

As part of the Vault Festival , which transforms a series of interconnected tunnels underneath Waterloo Station into something theatrical and fabulous this month, I caught a packed production of La Boheme by Silent Opera with @Johnnyfoxlondon . Like other companies , Silent Opera is about taking operatic masterpieces and adapting them into modern settings. What makes them unique is that they tap into the iPod generation and use headphones to place the performers and the music in real life and odd spaces. The former National Rail plans and drawings archive must fit the latter. With a mix of levels, false ceilings, grimy floors and porta-loos, it is a far cry from the Royal Opera.

One of the great things about London is the range of sensible and not so sensible events on offer at any time of the year. All you need is a decent London Guide to start planning things. A frosty Saturday evening seemed very appropriate to catch Snow Patrol's second of three sellout concerts at the O2. Snow Patrol are best categorised as an alternative rock group from Northern Island via Scotland (where they originally formed), but they have evolved to be firmly in the mainstream fare and ensuring mega stardom. That isn't such a bad thing as an audience of 15,000 singing (surprisingly in tune) the chorus of their song Run is certainly an experience to take in. It is also amazing to see the glow from hundreds of camera phones across the venue recording footage like the clip above. Given you can't smoke indoors anymore, they are the modern equivalent of the lighter wave .

La Traviata which is playing  Upstairs at the Gatehouse  is a surprising treat. One of the most loved and most performed operas with its beautiful music and fully developed characters, in the Gatehouse's intimate space becomes an intensely emotional affair that has the audience alternating between sobbing and cheering. This is the same company that presented the economic production of Troy Boy last year. Again by  Kit Hesketh-Harvey , this new translation and adaptation moves the action into the heart of cosmopolitan East London. Well the part where there are dodgy burlesque clubs and marriages that still need to preserve reputations. Moving and updating the actions opens up a whole range of  possibilities. Sempre Libera now includes a lap dance on one lucky audience member. Since  Anna Jeruc-Kopec who plays  Violetta has a great set of legs to match her set of lungs, it came as no surprise when she started to get a good mauling by the audience... They can be funny like tha

Wednesday evening was an opportunity to catch the latest revival of Alan Ayckbourn's frightfully witty comedy, Absent Friends , which is playing at the Harold Pinter Theatre. There is something about this play that has enduring appeal, even now as a period piece. It takes a particularly English setting of an afternoon tea party and slowly twists it. It is funny and occasionally surprising which makes for a great night out. The story focused around a tea party organised for Colin (played by Reece Shearsmith), who returns to visit his circle of friends after the death of his fiancee. For a variety of reasons, his friends are more anxious about how to deal with the situation than he is and so the play explores the very English way people deal with grief and loss, infidelities and lost dreams.

Man #1: She now has a dog Man #2: What sort? Man #1: It's a poodle. A little one. And I don't want it pissing all over my flat. Man #2: They do that you know. They piss everywhere. And shit...

The hit National Theatre play One Man, Two Guvnors has had a cast change and moved theatres on the West End. Is it still as funny? I have no idea about that as I must have been one of the few people who until this week had not seen the previous cast with James Corden. They are off to take this show to Broadway, and this show must be one of the funniest things you could see on the West End right now. If it were funnier previously it would have definitely needed to come with a health warning... Based on The Servant of Two Masters by Carlo Goldoni, the action is updated from the renaissance to 1960s Brighton with songs by Grant Olding. The update works well with the mad plot and storyline and the costumes and set look great. The music and performance by the resident band "The Craze" gives things and added touch of class. Keeping the insanity together is former understudy to James Corden, Owain Arthur , as Francis Henshaw. He manages to make the part his own. Sitting in sp

Wednesday night I was fortunate enough to see the first preview of The Pitchfork Disney at the Arcola Theatre in Dalston. It is a mildly unnerving post-apocalyptic tale of dreams, nightmares, chocolate and things that bug you... Nothing is quite what it seems in this play. And through a series of monologues, there are laughs and shocks. It is hard to talk too much about the play without giving it away. But it is a showcase for some very talented actors. Chris New - who was in the well-received movie Weekend - gives an intense performance as Presley. He is great to watch along with co-star Nathan Stewart-Jarrett (pictured) as Cosmo Disney. Both manage to make their crazy roles believable and interesting in as much as that is possible. Rounding out the cast is Mariah Gale and Steve Guadino... Philip Ridley's play celebrates its 21st anniversary this year. While it may not be as shocking to audiences now as it was then. It does have a certain unnerving quality that remains

First Light - Trailer from Fionn Watts on Vimeo . The King's Head Theatre in Islington is playing a season of plays by Murray Watts this month. I finally caught the double bill - First Light and Mr Darwin's Tree - on Thursday evening. It all makes for an evening of unexpected surprises. Laughs, shocks and a few revelations abound over the course of two very different pieces of theatre.