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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Rough trade: Market Boy @theuniontheatre


In Market Boy, the market is free and full of life lessons. Never dull. There’s no time to dwell on why you’re there as there’s merchandise to move and money to be made. And maybe a girl to impress. It's currently playing at the Union Theatre.

The show opens in the early 1980s at Romford Street Market. It’s the era before online deliveries and fashionable farmers markets selling fresh produce. This is a rough trade. And Boy (Tommy Knight), lands a job selling women's shoes. Under the apprenticeship of Trader (Andy Umerah), he learns a thing or two about shoes, selling to the women of Romford, and closing a deal.

David Eldridge’s play, first seen at the National Theatre over ten years ago, whisks you on a journey through the eighties from boom to bust. With over fifty characters, all are loveable rogues with hearts of gold. And they have a thing or two to teach the Boy.

What this show lacks in epic scale (or characterisation), it makes up with enthusiasm and energy from its young cast as they move through the decade changing characters, fashion and music.

There’s been a street market at Romford for as long as anyone cares to remember. It’s free-wheeling no rules approach gives you some idea why these hard working people loved Margaret Thatcher. And weren’t too keen about the European Union either. But politics isn’t the focus here. It’s the thrill of chasing the deal, no matter how small.

A slice of life set to the music of the eighties is hard to resist. Even if you’re left wondering how many of the characters nowadays are delivery drivers for Amazon. But that’s the power of the free market for you. Especially when it pays more, and you're not setting up a stall before dawn.

Directed by Nicky Allpress, Market Boy is at the Union Theatre until 11 May.

⭐️⭐️⭐️⭐️



Photos by Mark Senior


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