Silly Friday Afternoon Email Banter

-----Original Message-----
From: A
Sent: 17 June 2005 12:17
To: Paul
Subject:

I just found a hot SA man on the 10th Floor!!! he's a temp accountancy assistant.

Not bad at all!

A

-----And then -----
From: Paul
Sent: 17 June 2005 12:24
To: A
Subject: RE: It all happens on a friday on the 10th floor...

So what made him hot?

I once dated a SA... He was part english part african and part queen so my friends called him the South African Queen. He had the most hideous voice I have ever heard, but nice broad shoulders so you have to weigh these things up don't you think...??

Paul

-----And still then-----
From: A
Sent: 17 June 2005 12:26
To: Paul
Subject: RE: It all happens on a friday on the 10th floor...

He has tanned skin, brown eyes, short dark hair and nice chiseled but not harsh features. He looks like a man.

Yeah and they're arrogant fookers... hey as long as he doesn't speak much we should be okay right?

Unfortunately he met me when I was being boistrous asking for a leaving collection damn it. Now he'll think I'm bit assertive and not nice and shy like I really am! hehe

A

-----And still even then-----
From: Paul
Sent: 17 June 2005 12:34
To: A
Subject: RE: It all happens on a friday on the 10th floor...

Oh so he met you when you were just acting naturally rather than suppressing your personality!

I can just picture it... was it something like...

A (to all staff on the 10th floor): Give me your money for R's leaving do and if it is less than £5 I am going to tell him who was stingy...

And then from across a crowded room there he was... The music started to swell...

I have taken two syndol to get rid of this migraine and it has made me feel strangely relaxed and comfortable... But I don't think it has had any other effect...

Paul

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

Swatting: The Flies @BunkerTheatreUK

Image
The Flies at The Bunker theatre is a chance for production company Exchange Theatre - which specialises in translating plays for English audiences - to return to the piece that put them on the map. With live music, video and eye-catching design, it’s an ambitious piece. But it seemed to miss any sense of drama. And it’s star actor Meena Rayann was off too.

Jean Paul Satre’s take on the Oresteia and the Electra myth, was written during the Nazi occupation of France. Fast forward seventy years, it's tempting to equate today’s new nationalists with yesterdays fascists. But it's a lazy comparison given the grand themes under exploration here. It feels more like an apparent dig at Nazi occupation, organised religion or group think over fake news, immigrant bashing and economic hardship.


It opens where two travellers approach Argos, a town where everyone is in mourning. One is Orestes in disguise. The city has become a dark place cursed with flies as punishment from the Gods since …
Read more...

Age of innocence: Country Music @Omnibus_Theatre

Image
The latest instalment of the Up series landed this week. It tracks the lives of a bunch of unrepresentative British people every seven years. Fascinating in its ordinariness and irritating by director Michael Apted's random and pompous commentary, it was on my mind as I was watching Country Music. It's a much more subtle exploration on how people change over time. Or at least your perception of them. And how your life can be shaped from your early years in ways you can never appreciate. It's currently playing at the Omnibus Theatre.

Jamie (Cary Cranson) and his girl from school, Lynsey (Rebecca Stone) are in a car Jamie has stolen. Along with a large bag of crisps. It's 1983, and they're just out of school. They talk about getting away and the benefits of different flavours of crisps. But beneath the surface, something isn't quite right. Jamie has a short fuse. There's talk about a mighty fight. And soon, Lynsey is scared.


Things jump forward a few years, …
Read more...