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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Up late: West End Eurovision Pictures

Last week's West End Eurovision at the Dominion Theatre, its seventh and final year in support of The Make A Difference (MAD) Trust saw the cast of Mamma Mia! and Les Misérables jointly winning the trophy.





By all accounts a memorable late night on the West End, with the highlight of the evening coming in a speech given by director Andrew Keates, about his experience directing a revival of the first ever AIDS play, As Is by William M. Hoffman, and how this affected his own life.

The MAD Trust works with the British entertainment industry and its audiences to raise funds to offer care and support to people living with HIV, AIDS and other chronic illnesses, who are unable to work and are facing hardship.

To support The MAD Trust all people have to do is text MADT £3 to 70007 to give just £3. And look out for West End Bares coming later this year...

Images by Darren Bell



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