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I Miss The Mountains: Fly More Than You Fall @Swkplay

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Losing a parent when you’re still figuring out who you are and your place in the world seems like a bummer of a topic for a musical. But somehow, Fly More Than You Fall tackles grief and loss with a light touch, catchy music and enthusiastic performances. While it may not offer great insight into the exploration of grief, it gives pause for thought and a few laughs on the way. After all, death doesn’t take a holiday, and nobody gets out of here alive. We just hope it doesn’t happen too soon. It’s currently playing at Southwark Playhouse Elephant .  We first meet Malia as she prepares for summer writers' school. She aspires to be a writer and has a story in development. Encouraged by her mother to keep going, she is looking forward to the summer. But the summer school is cut short when her mother is diagnosed with stage four cancer. Back home so her mother can spend her last days with her family, Malia has to grow up quickly and find her voice while watching her mother slip away.  T

Vocations and executions: Dialogues Des Carmélites @TheRoyalOpera

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A simple, and at times bare, staging of Francis Poulenc's Dialogues Des Carmélites makes for a memorable and moving production at the Royal Opera . While an opera about the martyrdom of Carmelite nuns during the Reign of Terror, is not going to be everyone's idea of a fun night out, a combination of fine singing, dramatic music and a beautiful production make it a night to remember. The piece is about the journey of Blanche, who leaves her aristocratic upbringing to join the Carmelite nuns, against the backdrop of the Reign of Terror and the nationalisation of all religious property (it helps to know your French Revolution history to appreciate the forces at work here).

Essential music: Life of the Party @MenChocFactory

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For the next couple of weeks, The Life of the Party - A Celebration of the Songs of Andrew Lippa , is playing at the Menier Chocolate Factory . For anyone with the slightest interest in new musical theatre this is a show not to miss. While Andrew Lippa's shows have not had big West End or Fringe productions (yet), the evening is an opportunity to savour the best of all of them.   He is joined by Caroline O'Connor , Damian Humbley and Summer Strallen , and it is an opportunity to hear and appreciate his songs, in a more intimate setting and savour the music and intricate lyrics.

Flapping about: Incognito

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A series of stories about the brain are the focus of Nick Payne's Incognito , currently playing at the Bush Theatre . While the stories are interwoven and mildly interesting, what keeps the piece together are the strong  performances by the leads who manage to change roles mid-sentence without skipping a beat. The piece is about how the role the brain and memory plays in who we are. But the three stories are a mix of facts, mild soap opera and pseudo intellectual sensationalism (potentially inspired by a  lowbrow documentary  about the "theft" of Einstein's brain).

Up late: West End Eurovision Pictures

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Last week's West End Eurovision at the Dominion Theatre, its seventh and final year in support of The Make A Difference (MAD) Trust saw the cast of Mamma Mia! and Les Misérables jointly winning the trophy.

Last chance: Fleabag @sohotheatre

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Phoebe Waller-Bridge's Fleabag has had a return run at the Soho Theatre for the past few weeks. It is a raw uncompromising monologue about a young woman uncertain about her place in life and wondering whether being sex obsessed and masturbating late at night to pornography on the internet is all it is cracked up to be. A hit at last year's Edinburgh Fringe, and a success at the Soho Theatre last September , this time around the production seems a bit slicker, and Waller-Bridge's performance has evolved to become a bit looser making the most of the comic and tragic potential of the material. It's in the main theatre this time however so it misses some of the intimacy from a smaller space. But it still delivers an emotional impact tackling subject matter that you don't normally see discussed amongst friends, let alone put up on stage. Fleabag concludes today at 5pm at the Soho Theatre . If you missed it this time, hopefully it will be back again in the future.

Carnaval del SE1: In the Heights @swkplayhouse

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I'm not familiar with Washington Heights in New York, but after catching In the Heights at the Southwark Playhouse , you would be tempted to head off there. It seems like so much fun (even if there is the occasional riot). This show hits you with a bang. It's over two hours of pure joy with an infectious score that blends hip hop, rap, salsa and musical styles that had the audience on the first preview screaming with applause, and that was after only the opening number.

Intense affairs: Tosca @TheRoyalopera

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I've seen this production of Tosca three times now at the Royal Opera , but this was the first time that the affair between Tosca and Caravadossi seemed so intense and palpable. And sexual. A melodrama over three short acts needs big voices and a big sound to carry interest in this piece of a jealous actress, traitors and fear of invasion by Napoleon's army. Set over three days the story is a gripping tale of love, torture, treachery and one big diva. With Roberto Alagna as Cavaradossi and Oksana Dyka as Tosca, the pairing of big voices and big actors matches the intensity of the score and the drama. And together they complimented each other well with their clarity of voice. Rounding out the love triangle as Scarpia, the Chief of Police, Marco Vratogna aided the second act with added menace with his baritone that while not booming as in other performances, conveyed menace and emphasised the pure over the top potential of the subject matter. Roberto Alagna's p

Hummus of death: Positive @PositivePlayLDN @WaterlooEast

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Positive , currently at Waterloo East Theatre , attempts to tell an honest and sweet story about an ordinary guy who just happens to be living with HIV. It's funny and occasionally sweet, and somewhat reminiscent of other coming of age gay comedy dramas, except that along the way Benji, played by  Timothy George , just happens to get diagnosed with HIV. Following his diagnosis and spending a year staying indoors, avoiding people and listening to Britney Spears albums, Benji decides that he should start living life again. He goes out to a club and stays out all night which ends in a bit of a disaster when the young boy freaks out when he learns he is HIV positive. But with assistance from his perky housemate Nikki and her boyfriend, they arrange for him to go on a first date with Matt and appear to connect.

Amongst it all: Debris @Swkplay

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On the night I finally managed to catch Debris at the Southwark Playhouse, yet another cyclist death at Elephant and Castle had ground traffic in the area to a halt. The show's start was slightly delayed as people struggled to make the starting time. But the subject matter of loss and imagination seemed even more at the fore in this intriguing production. The sudden death of their mother leads to brother and sister, Michael and Michelle, having to fend for themselves. They recount their stories and each becomes darker and more sinister. An alcoholic father, an abusive carer, adopting a newborn they find in the garbage, you never quite know what is real or otherwise as they try to work out where they came from and find meaning in their life.

Gays play: On Tidy Endings and Safe Sex

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Two short plays by Harvey Fierstein show that at least the western world has come some way when it comes to discrimination and attitudes towards HIV and AIDS. Even if you're not sure whether you should be laughing at their message. The first of the two pieces, Safe Sex , is a one-joke piece about a lover who is obsessed about making sure that all the sex he engages with his partner is on a list of safe sex practices outlined in a leaflet.